A Farewell to Two Kings
The Grim Reaper was a bigger son of a bitch than usual today. We lost Robert Duvall and the great Documentary film maker and giant human being Frederick Wiseman.

The Grim Reaper was a bigger son of a bitch than usual today. We lost Robert Duvall and the great Documentary film maker and giant human being Frederick Wiseman.

Remember when at the beginning of certain prestige pictures, usually big budgeted epics, they used to start the film with an overture, a bespoke classical piece set over illustrations representing the film? Something borrowed from symphonic music, as a way of classing up the joint. Presumably a way of providing
A weekly feature here on Big Heads that looks forward to the week ahead on the mighty Turner Classic Movies, for your viewing and recording pleasure. Friday, April 17 08:00 p.m. PST Targets. Probably the greatest artistic achievement of the Roger Corman production method, leveraging up and coming
In The American Cinema: Directors and Directions 1929 - 1968, Andrew Sarris provided an extremely useful and entertaining appendix he called "Directorial Chronology." It was basically a best American film of the year list with a highly auteurist, idiosyncratic bent. So you would see things like Man'
A weekly feature here on Big Heads that looks forward to the week ahead on the mighty Turner Classic Movies, for your viewing and recording pleasure. Friday, April 10 08:00 p.m. PST The Masque of Red Death. From that strange era when Roger Corman and company cheaply adapted